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Beethoven Frieze: This Kiss to the Whole World (Detail 'Diesen Kuss der ganzen Welt'), 1902.
Gustav Klimt (1862-1918), Diesen Kuss der ganzen Welt. Detail aus den Beethoven-Fries. Gustav Klimt [Public domain], via Wikimedia Commons. In the catalog:SAAL III 11. Fries, gemalt anläblich der Ausstellung von Klingers "Beethoven." "Die Sehnsucht nach Glück." "Die feindlichen Gewalten." "Mein Reich ist nicht von dieser Welt," 1902.
XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail floor plan]
floor plan 2
Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.
Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.
XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail floor plan]
floor plan 1
Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.
Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.
Beethoven Frieze: This Kiss to the Whole World
(Detail: The Hostile Forces), 1902.
Gustav Klimt (1862-1918), Beethoven Frieze: This Kiss to the Whole World"Loan from the Österreichische Galerie Belvedere Gustav Klimt, Beethoven Frieze: The Hostile Forces. The hostile forces. The giant Typhoeus, against whom even the gods battle in vain (the monster with mother-of-pearl eyes extending across the entire front wall with his blue wings and snake-like appendages); his daughters, the three gorgons (the three women standing to the left of Typhoeus). Sickness, madness, death (the…
Beethoven Frieze: This Kiss to the Whole World
(Detail, Lasciviousness, Wantonness, Intemperance), 1902.
Gustav Klimt (1862-1918), Beethoven Frieze: Lasciviousness, Wantonness, Intemperance. "Lasciviousness, wantonness, intemperance (the group of three women to the right of Typhoeus. Intemperance wears a conspicuously ornamented blue skirt with applications of mother-of-pearl, bronze rings, etc.). Gnawing grief (the woman cowering on the right in the picture). The yearnings and desires of humankind fly past them." -From the Secession webpage. Image courtesy of Secession Archive.In the catalog:…
Untitled woodcut
Elena Luksch-Makovsky (1878-1967), [untitled], woodcut. 1902.
XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail]
XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail]
Untitled woodcut
Elena Luksch-Makovsky (1878-1967), [untitled], woodcut. 1902.
XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail]
XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail]
XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien : Klinger, Beethoven : April- Juni 1902.
Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.
Secession XIV, Beethoven
Alfred Roller (1864-1935), Secession XIV (Beethoven). Poster. Color lithograph, 230 x 80 cm. Gift of Joseph H. Heil, by exchange. 148.2010. The Museum of Modern Art, New York.
Alfred Roller (1864-1935) was a painter and designer. For the Beethoven exhibition Roller designed this very tall poster with a near life-size drawing of a bowed woman symbolically presenting an orb of light. The text is in bold, condensed lettering which features in Roller’s other graphic designs of this period.
Alfred Roller (1864-1935) was a painter and designer. For the Beethoven exhibition Roller designed this very tall poster with a near life-size drawing of a bowed woman symbolically presenting an orb of light. The text is in bold, condensed lettering which features in Roller’s other graphic designs of this period.