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Gustav Klimt (1862-1918), Secession I, 1898. Poster. Color lithograph, 97 x 69 cm. Gift of Bates Lowry. 207.1968. The Museum of Modern Art, New York

Klimt adopts the use of white space and asymmetrical design of Aubrey Beardsley (1872-1898). Goddess Athena, who personified wisdom, is the figure at the right. This ties the text at the bottom of the poster with the frieze-like panel at the top, which depicts Theseus fighting the Minotaur, symbolizing the artistic struggle against philistinism,…

Joseph Maria Olbrich (1867-1908), Secession II, 1898. Poster. Color lithograph, 58 x 51 cm. Acquired by exchange. 329.1977. The Museum of Modern Art, New York.

Joseph Maria Olbrich (1867-1908) was the architect of the Secession building. He also designed this poster with its elegant cursive “S”s. Richard Harflinger (1873-1948) remade the poster for a 1913 exhibition of Secession posters.

Alfred Roller (1864-1935), Secession XIV (Beethoven). Poster. Color lithograph, 230 x 80 cm. Gift of Joseph H. Heil, by exchange. 148.2010. The Museum of Modern Art, New York.

Alfred Roller (1864-1935) was a painter and designer. For the Beethoven exhibition Roller designed this very tall poster with a near life-size drawing of a bowed woman symbolically presenting an orb of light. The text is in bold, condensed lettering which features in Roller’s other graphic designs of this period.

Alfred Roller (1864-1935), Secession XVI, 1902. Poster. Color lithograph, 95 x 32 cm. Gift of Jo Carole and Robert S. Lauder. 149.2010. The Museum of Modern Art, New York.

The word “Secession” is in a short blunt curvilinear hand except for the three “S”s which are extremely elongated and seem to rest on dense block of text, like a woodblock but carved with a slight white line to delineate the letters. Behind the text is a pale red geometrical pattern.

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Vienna Secession exhibition postcard. 22nd Vienna Secession. Interior design by L. Bauer. No. 3 'Castalia' by Edmund von Hellmer (1850-1935)

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Vienna Secession exhibition postcard. 2nd secession, November-December 1898. Interior design by Joseph Maria Olbrich (1876-1908). Mittelsaal / Middle Room. Reproduced in V. S. catalog 10.

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Vienna Secession exhibition postcard. Interior design by Joseph Maria Olbrich (1876-1908). Mittelsaal / Middle room. Alfred Roller "Bergpredigt" (Sermon on the mount).

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Vienna Secession exhibition postcard. Middle room - Arthur Strasser (1854-1927). 'Mark Anthony' sculpture. Interior design by Joseph Maria Olbrich (1876-1908). 'Naturgrosses Modell Zu Dem Centralraum Eines Sculpturen-Museums'

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Vienna Secession exhibition postcard. 5th secession, November-December 1899. Interior design by Josef Hoffmann (1870-1956). Gelber Saal.

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Vienna Secession exhibition postcard. 5th secession, November-December 1899. Interior design by Koloman Moser (1868-1918). Grau und silber saal / Hall in gray and silver.

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Vienna Secession exhibition postcard. 5th secession, November-December 1899. Interior design by Koloman Moser (1868-1918). Grau und silber saal / Hall in gray and silver.

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Vienna Secession exhibition postcard. 7th secession March-May 1900. Interior design by Adolf Böhm (1861-1927).

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Vienna Secession exhibition postcard. Interior design by Adolf Böhm (1861-1927). Rechter Seitensall. (Reproduced in V. S. catalog X).

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Vienna Secession exhibition postcard. Saal VII. Interior design by Josef Hoffmann (1870-1956). Saal 7 and Saal 8 with-in.

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Vienna Secession exhibition postcard. Saal X. Collections by Charles Rennie Mackintosh (1868-1928) and Margaret Macdonald-Mackintosh (1865-1933). Ver-Sacrum-Zimmer (reproduced in V. S. catalog X).

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Vienna Secession exhibition postcard. January [13] - February 1901. Klinger-Saal. Interior design by Alfred Roller (1864-1935). Arrangement for M. Klinger's work.

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Vienna Secession exhibition postcard. Saal II. Interior design by Alfred Roller (1864-1935).

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Vienna Secession exhibition postcard. Saal IV. Interior design by Alfred Roller (1864-1935).

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Vienna Secession exhibition postcard. Saal IV. Interior design by Leopold Bauer (1872-1938). Sculpture no. 152 'Der Wanderer' by Richard Luksch, wood & stone. "si quis totum diem arrens advesperum pervenit satis est" - Seneca.

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Vienna Secession exhibition postcard. Interior design by Koloman Moser (1868-1918). Ver-Sacrum-Zimmer.

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Vienna Secession exhibition postcard. 1902. Interior design by Koloman Moser (1868-1918). Installation for Bocklin's 'Meeresidylle.'

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Vienna Secession exhibition postcard. 13th secession, February 1-March 16, 1902. Interior design by Koloman Moser (1868-1918). Sculpture: Ilse Conrat 'Nasse Haare.'

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Vienna Secession exhibition postcard. 15th secession, November 5-December, 1902. Interior design by Franz Messner (1873-?) / Leopold Bauer.

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Vienna Secession exhibition postcard.

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Vienna Secession exhibition catalog. XIII Exhibition, 1902.

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Vienna Secession exhibition catalog. XII Exhibition, 1901.

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Vienna Secession exhibition catalog. XI Exhibition, May 18-June 1901.

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Vienna Secession exhibition catalog. X Exhibition, 1901.

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Vienna Secession exhibition catalog. IV Exhibition, 1901.

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Vienna Secession exhibition catalog. VIII Exhibition, 1900.

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Vienna Secession exhibition catalog. VII Exhibition, 1900?.

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Vienna Secession exhibition catalog. VI Exhibition 1900, #2.

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Vienna Secession exhibition catalog. I exhibition 1898.

Vienna Secession exhibition catalog. II Exhibition, November-December 1899.

Vienna Secession exhibition catalog. III Exhibition, January 12,-February 20 1899.

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Vienna Secession exhibition catalog. IV Exhibition, 1899?

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Vienna Secession exhibition catalog. V Exhibition, 1899.

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Vienna Secession exhibition catalog. VI Exhibition [1900, #1].

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Vienna Secession exhibition catalog. XV Exhibition, November-December 1902.

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Vienna Secession exhibition catalog. XXIV Exhibition, November-December 1905.

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Vienna Secession exhibition catalog. XXIII Exhibition, March-May 1905.

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Vienna Secession exhibition catalog. XXII Exhibition, January-February 1905.

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Vienna Secession exhibition catalog. XXI Exhibition, November-December 1904.

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Vienna Secession exhibition catalog. XX Exhibition, March-May 1904.

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Vienna Secession exhibition catalog. XIX Exhibition, January-February 1904. Cuno Amiet; Axel Gallén; Ferd. Holder; L. V. Hofmann; Wilhelm Laage; Hans V. Marées; Edvard Munch; Thorn Prikker; Emil Rud. Weiss.

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Vienna Secession exhibition catalog. XVIII Exhibition, November-December 1903.

Vienna Secession exhibition catalog. XVII Exhibition, March-May 1903.

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Vienna Secession exhibition catalog. XVI Exhibition, January-February 1903.

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Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.

Redigirt von / Edited by Dr. Ludwig Abels.

Gustav Klimt (1862-1918), The Tall Poplar Tree I/Die grosse Pappel I, 1900.  Oil on canvas.  Neue Galerie New York. This work is part of the collection of Estée Lauder and was made available through the generosity of Estée Lauder.  In the catalog:  SAAL V.  31. Die grosse Pappel. Privatbesitz. 1901.

Elena Luksch-Makovsky (1878-1967), [untitled], woodcut. 1902.

XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail]

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Elena Luksch-Makovsky (1878-1967), [untitled], woodcut. 1902.

XIV. Ausstellung der Vereinigung bildender Künstler Österreichs Secession Wien / Klinger, Beethoven : April- Juni 1902. [detail]

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Gustav Klimt (1862-1918), Portrait of Hermine Gallia, 1904. Oil on canvas, 170.5 x 96.5 cm. NG6434. National Gallery, London, Great Britain.   In the catalog:  SAAL VII.  44. Bildnis einer Dame. Privatbesitz. Unvollenet.  *We believe this work to be the painting listed in the catalog. However, it is not certain.

Gustav Klimt (1862-1918),  Pear Tree, 1903 (reworked by the artist 1903/1918).  Oil and casein on canvas,  101 x 101 cm (39 3/4 x 39 3/4 in.) / framed: 105.5 x 105.5 x 10.5 cm (41 9/16 x 41 9/16 x 4 1/8 in.).  Harvard Art Museums/Busch-Reisinger Museum, Gift of Otto Kallir, BR66.4.  Imaging Department © President and Fellows of Harvard CollegeAccession Number: BR66.4.   In the catalog: SAAL I. 7. Birnbaum, 1903.  

Gustav Klimt (1862-1918), "Life is a Struggle (Golden Rider)". Oil, tempera, and gold leaf / on canvas. 100.0 x 100.0cm Aichi Prefectural Museum of Art, Japan.  In the catalog: SAAL III 13. Das Leben ist ein Kampf, 1903 

Gustav Klimt (1862-1918), Nuda Veritas, 1899. Öl auf Leinwand, 244 x 56,5 cm ohne Rahmen,260 x 64,5 mit Originalrahmen. BT_O_3656. Österreichisches Theatermuseum, Vienna. Kunsthistorisches Museum Vienna.  In the catalog: SAAL III 12. Die Wahrheit. Privatbesitz, 1899

Gustav Klimt (1862-1918), Helene Klimt, 1898. Öl auf Malkarton, 59.7 x 49.9 cm. Kunstmuseum Bern, Leihgabe aus Privatsammlung.  In the catalog: SAAL VII 48. Bildnis eines Kindes. Privatbesitz, 1898  

Gustav Klimt (1862-1918), Nixen (Silberfische), ca. 1902/03.  © Bank Austria Kunstsammlung.  Bank Austria Art Collection, Vienna.  In the catalog: SAAL III 19. Nixen, 1903

Gustav Klimt (1862-1918),  "Cowstall", Cows in a Stall, 1900/1901.  Oil on canvas. 75 x 76.5 cm.  LENTOS Kunstmuseum Linz. www.lentos.at   In the catalog: SAAL V 29. Der schwarze Stier, 1901

Gustav Klimt (1862-1918),  Pallas Athene, 1898. Öl auf Leinwand. ©Wien Museum http://www.wienmuseum.at/  In the catalog:SAAL I 5. Pallas Athene, 1898

Gustav Klimt (1862-1918), Bildnis Emilie Flöge, 1902. Oil on canvas. ©Wien Museum. http://www.wienmuseum.at/  In the catalog:SAAL VI  40. Bildnis eines jungen Mädchens. Privatbesitz, 1902.

Gustav Klimt (1862-1918), Beech Grove I. 1902. Oil on canvas; 100 x 100 cm. Purchased with funds from the Pröll-Heuer-Foundation, 1912Galerie Neue Meister, Staatliche Kunstsammlung Dresdenhttp://www.skd.museum/en/homepage/index.html  In the catalog:SAAL V.33. Junge Birken. Privatbesitz, 1901  *We believe the work listed in the catalog refers to this painting. However, it is not certain.

Gustav Klimt (1862-1918), Beethoven Frieze: Lasciviousness, Wantonness, Intemperance.  "Lasciviousness, wantonness, intemperance (the group of three women to the right of Typhoeus. Intemperance wears a conspicuously ornamented blue skirt with applications of mother-of-pearl, bronze rings, etc.). Gnawing grief (the woman cowering on the right in the picture). The yearnings and desires of humankind fly past them." -From the Secession webpage. Image courtesy of Secession Archive.In the catalog:…

Gustav Klimt (1862-1918), Beethoven Frieze: This Kiss to the Whole World"Loan from the Österreichische Galerie Belvedere Gustav Klimt, Beethoven Frieze: The Hostile Forces. The hostile forces. The giant Typhoeus, against whom even the gods battle in vain (the monster with mother-of-pearl eyes extending across the entire front wall with his blue wings and snake-like appendages); his daughters, the three gorgons (the three women standing to the left of Typhoeus). Sickness, madness, death (the…

Gustav Klimt (1862-1918), Sonja Knips (1873-1959), geb. Sophie Amalia Maria Freifrau Potier des Echelles, 1898. Oil on canvas,  141 x 141 cm. Belvedere,Vienna, Upper Belvedere. http://www.belvedere.at/en    In the catalog:SAAL I2. Bildnis einer Dame. Privatbesitz, 1898

Gustav Klimt (1862-1918), Judith, 1901. Oil and gold plating on canvas,  84 x 42 cm. Belvedere,Vienna, Upper Belvedere. http://www.belvedere.at/en    In the catalog: SAAL III  20. Judith und Holofernes. Privatbesitz, 1901.

floor plan 1

Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.

floor plan 2

Vienna Secession exhibition catalog. XIV Exhibition, April-June 1902. Max Klinger Beethoven.

VII Ausstellung

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VII Ausstellung

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VIII Ausstellung

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VIII Ausstellung

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VIII Ausstellung

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VIII Ausstellung

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VIII Ausstellung

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IX Ausstellung

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IX Ausstellung

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VI Ausstellung

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VI Ausstellung

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V Ausstellung

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I Ausstellung

Halle des Ausstellungsgebaudes

II Ausstellung

III Ausstellung

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Hormann Auction

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IV Ausstellung

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IV Ausstellung

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V Ausstellung

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V Ausstellung

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IX Ausstellung

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IX Ausstellung

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IX Ausstellung

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Gustav Klimt (1862-1918),  Bewegtes Wasser (Moving Water), 1898 (Weidinger 128; Natter 116). Photo courtesy Galerie St. Etienne, New York.In the catalog:SAAL III 17. Bewegtes Wasser. Privatbesitz, 1898.

Gustav Klimt (1862-1918), Goldfische. Öl auf Leinwand,  181 × 66,5 cm. Schweiz Österreich,   Privatsammlung. Gustav Klimt [Public domain or Public domain], via Wikimedia Commons. In the catalog:SAAL III 14. Goldfische, 1902

Gustav Klimt (1862-1918), Approaching Thunderstorm (The Large Poplar ll), 1903. Leopold Museum, Vienna 1,008 mm (39.68 in) x 1,007 mm (39.65 in).Gustav Klimt [Public domain], via Wikimedia Commons.In the catalog:SAAL I6. Aufsteigendes Gewitter, 1903.  For more information see:  http://www.leopoldmuseum.org/en/leopoldcollection/masterpieces/45

Gustav Klimt (1862-1918), Diesen Kuss der ganzen Welt. Detail aus den Beethoven-Fries. Gustav Klimt [Public domain], via Wikimedia Commons.  In the catalog:SAAL III 11. Fries, gemalt anläblich der Ausstellung von Klingers "Beethoven." "Die Sehnsucht nach Glück." "Die feindlichen Gewalten." "Mein Reich ist nicht von dieser Welt," 1902. 
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